Andrew Perkis
Background and activities
I am currently focusing on research within the synergies of art and technology, methods and functionality of content representation, quality assessment and its use within the media value chain. My application focus is on art in public spaces, place by design, sensor based digital storytelling and business modelling for the creative and media industry.
My main activities are
- Art and technology as a vehicle to tackle complex issues
- IoT driven digital storytelling
- Immersion and presence
- Place by design and citizen engagement.
- Media technology and entertainment as well as directions for innovations in Immersive Media Technology Experiences.
- Transmedia storytelling and multi-platform publishing, especially to handheld devices.
- Quality modelling and assessment and its use within the media value chain in a variety of applications, change management and business modelling for the media sector and Digital Storytelling and the associate tools for this.
I am currently ARTEC at NTNU, a task force for setting up directions and visions for new research within art and technology as well as directions for innovations in Immersive Media Technology Experiences.
I was the initiator and lead designer in setting up the interactive installation park – Adressaparken. For this work we won the winner of the Place by design competition at SxSW 2018 and the NM art and design prize in 2016.
Scientific, academic and artistic work
A selection of recent journal publications, artistic productions, books, including book and report excerpts. See all publications in the database
Journal publications
- (2020) Immersive Media Experiences – Why finding Consensus is Important. SIGMM Records.
- (2020) Effects of speech transmission quality on sensory processing indicated by the cortical auditory evoked potential. Journal of Neural Engineering. vol. 17 (4).
- (2018) Techniques for dynamic hardware management of streaming media applications using a framework for system scenarios. Microprocessors and microsystems. vol. 56.
- (2017) Factors of Immersion in Interactive Digital Storytelling. Lecture Notes in Computer Science (LNCS). vol. 10690 LNCS.
- (2017) Multiuse playspaces: mediating expressive community places. IEEE Multimedia. vol. 24 (1).
- (2015) A QOS-DRIVEN UMA viewer in MPEG-21 framework. European Signal Processing Conference. vol. 06-10-September-2004.
- (2014) Exploring the impact of food craving and pleasure technologies on aesthetic experience in digital media. International Journal of Human-Computer Interaction. vol. 30 (3).
- (2014) Attention driven foveated video quality assessment. IEEE Transactions on Image Processing. vol. 23 (1).
- (2012) Assessment of Stereoscopic Crosstalk Perception. IEEE transactions on multimedia. vol. 14 (2).
- (2012) VIDEO QUALITY METRIC BASED ON FIXATION PREDICTION AND FOVEAL IMAGING. IEEE Transactions on Image Processing.
- (2011) VISUAL ATTENTION TUNED SPATIO-VELOCITY CONTRAST SENSITIVITY FOR VIDEO QUALITY ASSESSMENT. IEEE International Conference on Multimedia and Expo.
- (2011) Balancing attended and global stimuli in perceived video quality assessment. IEEE transactions on multimedia. vol. 13 (6).
- (2011) Congestion control in wireless links based on selective delivery of erroneous packets. Signal processing. Image communication. vol. 26 (2).
- (2011) Factors impacting quality of experience in stereoscopic images. Proceedings of SPIE, the International Society for Optical Engineering. vol. 7863.
- (2011) Multi-Service Load Balancing in a Heterogeneous Network with Vertical Handover. Advances in Electronics and Telecommunications. vol. 2 (3).
- (2010) A compressive sensing approach to perceptual image coding. Proceedings of SPIE, the International Society for Optical Engineering. vol. 7798.
- (2010) Subjective evaluation of stereoscopic crosstalk perception. Proceedings of SPIE, the International Society for Optical Engineering. vol. 7744.
- (2010) ATTENTION MODELING FOR VIDEO QUALITY ASSESSMENT: BALANCING GLOBAL QUALITY AND LOCAL QUALITY. IEEE International Conference on Multimedia and Expo.
- (2010) SPATIAL AND TEMPORAL POOLING OF IMAGE QUALITY METRICS FOR PERCEPTUAL VIDEO QUALITY ASSESSMENT ON PACKET LOSS STREAMS. Proceedings of the IEEE International Conference on Acoustics, Speech and Signal Processing.
- (2010) A semantic framework for video genre classification and event analysis. Signal processing. Image communication. vol. 25 (4).