Denise Hauser

About

Denise Hauser is a Swiss writer-director and researcher (PhD in Artistic Research) working in fiction, documentary, animation, and hybrid filmmaking. Based in Trondheim, her practice has developed across Zürich, London, New York, and Norway.

Her short films have screened at more than 100 international festivals, including Nordisk Panorama, Tallinn Black Nights, Animafest Zagreb, Fantoche, and the Hiroshima and London International Animation Festivals. Her work spans audiences from children to adults, often centering on complex female protagonists, and draws on interdisciplinary approaches, including the interplay between dance and film and the combination of digital and analogue techniques. A central concern is care: how caregiving, often understood as separate from creativity, can instead inform and enrich artistic practice.

Her teaching connects professional filmmaking practice with students' creative and critical development. At NTNU, she has taught in film and video production, artistic development, and entrepreneurship in the applied arts. She has also taught animation and visual communication at Høyskolen Kristiania and held a position as assistant professor in Film & TV Production at Nord University.

She is the founder of Studio Hauser, a creative film practice specializing in directing, storytelling, screenwriting, and creative development, alongside workshops, mentoring, and creative consultancy. In the commercial sector, she has directed films for clients including the Smithsonian Archives of American Art and DOGA Norway.

She holds a PhD in Artistic Research from NTNU (2026), where she was the first PhD fellow in Artistic Research at the Department of Art and Media Studies. Her doctoral project explored hybrid approaches to maternal experience in mixed media film, developing the feature project Make Her See. She also holds an MA in Directing Animation from the Royal College of Art (2008) and a BA in Graphic Design from Central Saint Martins College of Art & Design (2006).

Research

PhD project in Artistic Research: Hybrid Narratives: Approaching Maternal Experience through Collecting, Writing, and Doubling in the Development of Mixed Media Film

Abstract:

Motherhood in cinema is often a side plot - this PhD project in Artistic Research seeks to challenge that. Using collecting, writing, and “doubling” as methods, it explores the maternal experiences of three filmmakers and how these complex realities can take shape in a hybrid film blending fiction, documentary, live action, and animation.

The research addresses a gap in representation, where female doppelgängers and alter-egos are rarely linked to motherhood despite its deeply transformative nature – an obvious foundation for doubling. In filmic narratives, female doubles are often cast as antagonists or disruptions rather than reflections of a mother’s evolving self. The post-birth lens shifts to the child’s development and perspective, leaving the mother’s transformation – her shifting identity and sense of self – largely unexplored.

This project takes a different approach, using interviews, video recordings, animated investigations, and personal reflections to explore the challenges of balancing motherhood and filmmaking. By aligning maternal experience with cinematic doubling, it highlights the multifaceted roles women navigate in both fields.

The research also engages with filmmakers and artists who challenge conventional portrayals of motherhood. Though caregiving perspectives appear in short-form animation, hybrid long-form representations are still rare. Influences include literary works exploring motherhood, identity, and doubling, such as Matrescence by Lucy Jones and August Blue by Deborah Levy.

Rather than aiming for a traditional completed film, the outcome prioritizes the process. It includes a synopsis and excerpts from the evolving script Make Her See, alongside documentary footage, interviews, animation tests, and live-action experiments. Incorporating doppelgängers and animated alter-egos, the project blends realism and surrealism to examine a woman’s vulnerabilities and resilience as she redefines herself.

This artistic research expands the representation of motherhood in mixed media film, connects the maternal experience to cinematic doubling, and opens new possibilities for nuanced maternal narratives.