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John Howland

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John Howland

Professor
Department of Music

john.howland@ntnu.no
+4773596558 +46708744576 Bygg 2, 2409, Dragvoll, Edvard Bulls veg 1
About Publications Teaching Outreach

About

Competencies

  • Jazz Studies
  • Media Studies
  • Popular Music Studies

Publications

  • Chronological
  • By category
  • All publications registered in NVA

2024

  • Howland, John. (2024) Paul Whiteman and Modern Metropolitan Music, 1927-40.
    Academic chapter

2023

  • Howland, John Louis. (2023) Paul Whiteman and Glorified 'Modern American Music,' 1927–1934.
    Academic chapter

2022

  • Howland, John Louis. (2022) 'Let the Music Play' (1975): Hearing the Disco Mainstream in Barry White.
    Academic chapter

2021

  • Howland, John. (2021) Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music. University of California Press
    Academic monograph
  • Howland, John. (2021) Populuxe Redux in the Glamour of Billie Eilish’s “No Time to Die”. University of California Press Blog
    Popular science article

2020

  • Howland, John. (2020) The Classy Populuxe Songbook. Journal of the American Musicological Society
    Academic article

2018

  • Howland, John. (2018) Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.
    Academic chapter
  • Howland, John. (2018) On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973.
    Academic chapter

2017

  • Howland, John. (2017) Preface.
    Introduction in anthology
  • Howland, John. (2017) Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer.
    Academic chapter
  • Howland, John. (2017) Duke Ellington Studies. Cambridge University Press
    Anthology

2016

  • Jordbrekk, Anders; Howland, John. (2016) The Influence of the Past - A Study of Retromania and Technostalgia in Contemporary Popular Music. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Opedal, Åsmund Hjorthol; Howland, John. (2016) Motorpsycho på museum - Ein studie av Rockheim som formidlar av populærmusikkens historie. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Schanke, Janne Kristin; Howland, John. (2016) Den autentiske sangeren - Sangere er lyttere i en undersøkelse av det autentiske vokaluttrykket i populærmusikk. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Howland, John; Wriggle, John. (2016) Edward Kennedy "Duke" Ellington.
    Popular science chapter
  • Størvold, Tore; Howland, John. (2016) Beats, Strings and Volcanic Things Cross-Genre Musical Practices in the Independent Music Scene in Reykjavík, Iceland. Norges teknisk-naturvitenskapelige universitet
    Master thesis

2015

  • Krokan, Eva Lise Haaland; Howland, John. (2015) Sangeren i vokalensemblet - Om musikalske og sosiale dimensjoner i sangerkollektivet. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Hammer, Håkon; Howland, John. (2015) Musikk i butikk - En studie av hvordan «bakgrunnsmusikk» brukes i klesbutikk. Norges teknisk-naturvitenskapelige universitet
    Master thesis

2014

  • Howland, John. (2014) Artful Entertainment: Ellington's Formative Years in Context.
    Academic chapter
  • Rånes, Brian Christer Nebb; Howland, John. (2014) Chocolate, Mustard and a Fox - Norwegian K-Pop, Its Production and Performance. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Howland, John. (2014) "Reflections on Contemporary Ellingtonia," invited contribution to Musicology Now, the official blog of the American Musicologyca Society. Musicology Now (the official blog of the American Musicological Society)
    Popular science article
  • Dunkel, Mario; Howland, John; Gruenzweig, Walter. (2014) The Stories of Jazz: Performing America Through Its Musical History. Technische Universität Dortmund
    Doctoral thesis

2013

  • McFarland, Christian; Howland, John. (2013) If You Believe in What You Do: The Music and Life of Freddie King. Rutgers University Newark
    Master thesis
  • Ariff, Alexander; Howland, John. (2013) Jazz and Poetry: Recorded Collaborations, 1957-1959. Rutgers University Newark
    Master thesis
  • Howland, John. (2013) Ellingtonia, Historically Speaking. The Musical Quarterly
    Editorial

2012

  • Pepper, James E.; Howland, John. (2012) From Jazz Messenger to Forerunner: The Life and Music of Jymie Merritt. Rutgers University Newark
    Master thesis
  • Howland, John. (2012) “‘Jazz’ with Strings: Between Jazz and the Great American Songbook.”.
    Academic chapter
  • Howland, John. (2012) West Coast Jazz.
    Encyclopedia chapter
  • Howland, John. (2012) Third Stream.
    Encyclopedia chapter
  • Howland, John. (2012) Cool Jazz.
    Encyclopedia chapter

2011

  • Rodriguez, Alex Warner; Howland, John. (2011) White and Blue: Alternate Takes on Jack Teagarden. Rutgers University Newark
    Master thesis
  • Michelsen, Gretchen; Howland, John. (2011) Harry Connick, Jr.: When Entertainment Meets Artistry. Rutgers University Newark
    Master thesis
  • Ainsworth, Sean; Howland, John. (2011) An Exploration into the Influence and Innovations of Edward Van Halen. Rutgers University Newark
    Master thesis

2010

  • Perrott, David; Howland, John. (2010) Norwegian Jazz: A New Jazz Aesthetic. Rutgers University Newark
    Master thesis
  • Negley, Jarrod; Howland, John. (2010) Sweet and Brutal: The Life and Music of Sonny Sharrock. Rutgers University Newark
    Master thesis
  • Howland, John. (2010) Letter from the Editor. Jazz Perspectives
    Editorial
  • Howland, John. (2010) Letter from the Editor. Jazz Perspectives
    Editorial

2009

  • Pauley, Jared; Howland, John. (2009) Hip-Hop and the Jazz Tradition. Rutgers University Newark
    Master thesis
  • Wendell, Eric; Howland, John. (2009) Ornette Coleman’s “Skies of America”. Rutgers University Newark
    Master thesis
  • Howland, John. (2009) Letter from the Editor. Jazz Perspectives
    Editorial
  • Howland, John. (2009) Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz. University of Michigan Press
    Academic monograph
  • Howland, John. (2009) Ellingtonian Extended Composition and the Symphonic Jazz Model. Annual Review of Jazz Studies
    Academic article

2008

  • Lomanno, Mark; Howland, John. (2008) Topics on Afro-Cuban Jazz in the United States. Rutgers University Newark
    Master thesis
  • Sroka, Bradley; Howland, John. (2008) New Beginnings: The Music of Don Pullen and a Recontextualization of the 1960s Jazz Avant Garde. Rutgers University Newark
    Master thesis
  • Howland, John; Porter, Lewis. (2008) Letter from the Editors. Jazz Perspectives
    Editorial

2007

  • Tenenholtz, David; Howland, John. (2007) Out of Nowhere: The Rise of the National Jazz Tradition in Sweden, 1945-1976. Rutgers University Newark
    Master thesis
  • Lescovic, Matthew; Howland, John. (2007) Charles Lloyd: A Journey Within. Rutgers University Newark
    Master thesis
  • Howland, John; Porter, Lewis. (2007) From "Perspectives in Jazz" to "Jazz Perspectives". Jazz Perspectives
    Editorial
  • Howland, John; Porter, Lewis. (2007) Letter from the Editors. Jazz Perspectives
    Editorial
  • Howland, John. (2007) "The Blues Get Glorified": Harlem Entertainment, "Negro Nuances," and Black Symphonic Jazz. The Musical Quarterly
    Academic article

2006

  • Goldberg, Corey; Howland, John. (2006) Raymond Scott: Rediscovering the Forgotten Wit of Jazz. Rutgers University Newark
    Master thesis
  • Howland, John. (2006) Jazz Rhapsodies in Black and White: James P. Johnson’s "Yamekraw". American Music
    Academic article

2003

  • Howland, John. (2003) The Whitemanesque Roots of Early Ellingtonian Extended Jazz Composition. International Association of Jazz Education
    Anthology

2002

  • Howland, John. (2002) Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920-1944. Stanford University Press
    Doctoral thesis

1994

  • Howland, John. (1994) Hugo Wolf’s Wilhelm Meister Lieder as Fin-de-siècle Music Drama. Boston University
    Master thesis

Journal publications

  • Howland, John. (2020) The Classy Populuxe Songbook. Journal of the American Musicological Society
    Academic article
  • Howland, John. (2013) Ellingtonia, Historically Speaking. The Musical Quarterly
    Editorial
  • Howland, John; Porter, Lewis. (2007) From "Perspectives in Jazz" to "Jazz Perspectives". Jazz Perspectives
    Editorial
  • Howland, John. (2014) "Reflections on Contemporary Ellingtonia," invited contribution to Musicology Now, the official blog of the American Musicologyca Society. Musicology Now (the official blog of the American Musicological Society)
    Popular science article
  • Howland, John. (2021) Populuxe Redux in the Glamour of Billie Eilish’s “No Time to Die”. University of California Press Blog
    Popular science article
  • Howland, John. (2010) Letter from the Editor. Jazz Perspectives
    Editorial
  • Howland, John. (2009) Letter from the Editor. Jazz Perspectives
    Editorial
  • Howland, John. (2010) Letter from the Editor. Jazz Perspectives
    Editorial
  • Howland, John; Porter, Lewis. (2007) Letter from the Editors. Jazz Perspectives
    Editorial
  • Howland, John; Porter, Lewis. (2008) Letter from the Editors. Jazz Perspectives
    Editorial
  • Howland, John. (2007) "The Blues Get Glorified": Harlem Entertainment, "Negro Nuances," and Black Symphonic Jazz. The Musical Quarterly
    Academic article
  • Howland, John. (2006) Jazz Rhapsodies in Black and White: James P. Johnson’s "Yamekraw". American Music
    Academic article
  • Howland, John. (2009) Ellingtonian Extended Composition and the Symphonic Jazz Model. Annual Review of Jazz Studies
    Academic article

Books

  • Howland, John. (2003) The Whitemanesque Roots of Early Ellingtonian Extended Jazz Composition. International Association of Jazz Education
    Anthology
  • Howland, John. (2021) Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music. University of California Press
    Academic monograph
  • Howland, John. (2017) Duke Ellington Studies. Cambridge University Press
    Anthology
  • Howland, John. (2009) Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz. University of Michigan Press
    Academic monograph

Part of book/report

  • Howland, John Louis. (2022) 'Let the Music Play' (1975): Hearing the Disco Mainstream in Barry White.
    Academic chapter
  • Howland, John Louis. (2023) Paul Whiteman and Glorified 'Modern American Music,' 1927–1934.
    Academic chapter
  • Howland, John. (2024) Paul Whiteman and Modern Metropolitan Music, 1927-40.
    Academic chapter
  • Howland, John. (2012) “‘Jazz’ with Strings: Between Jazz and the Great American Songbook.”.
    Academic chapter
  • Howland, John. (2012) West Coast Jazz.
    Encyclopedia chapter
  • Howland, John. (2012) Third Stream.
    Encyclopedia chapter
  • Howland, John. (2012) Cool Jazz.
    Encyclopedia chapter
  • Howland, John. (2014) Artful Entertainment: Ellington's Formative Years in Context.
    Academic chapter
  • Howland, John. (2018) Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.
    Academic chapter
  • Howland, John. (2018) On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973.
    Academic chapter
  • Howland, John. (2017) Preface.
    Introduction in anthology
  • Howland, John; Wriggle, John. (2016) Edward Kennedy "Duke" Ellington.
    Popular science chapter
  • Howland, John. (2017) Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer.
    Academic chapter

Student thesis or dissertation

  • Pauley, Jared; Howland, John. (2009) Hip-Hop and the Jazz Tradition. Rutgers University Newark
    Master thesis
  • Rodriguez, Alex Warner; Howland, John. (2011) White and Blue: Alternate Takes on Jack Teagarden. Rutgers University Newark
    Master thesis
  • McFarland, Christian; Howland, John. (2013) If You Believe in What You Do: The Music and Life of Freddie King. Rutgers University Newark
    Master thesis
  • Tenenholtz, David; Howland, John. (2007) Out of Nowhere: The Rise of the National Jazz Tradition in Sweden, 1945-1976. Rutgers University Newark
    Master thesis
  • Lescovic, Matthew; Howland, John. (2007) Charles Lloyd: A Journey Within. Rutgers University Newark
    Master thesis
  • Michelsen, Gretchen; Howland, John. (2011) Harry Connick, Jr.: When Entertainment Meets Artistry. Rutgers University Newark
    Master thesis
  • Lomanno, Mark; Howland, John. (2008) Topics on Afro-Cuban Jazz in the United States. Rutgers University Newark
    Master thesis
  • Sroka, Bradley; Howland, John. (2008) New Beginnings: The Music of Don Pullen and a Recontextualization of the 1960s Jazz Avant Garde. Rutgers University Newark
    Master thesis
  • Pepper, James E.; Howland, John. (2012) From Jazz Messenger to Forerunner: The Life and Music of Jymie Merritt. Rutgers University Newark
    Master thesis
  • Wendell, Eric; Howland, John. (2009) Ornette Coleman’s “Skies of America”. Rutgers University Newark
    Master thesis
  • Perrott, David; Howland, John. (2010) Norwegian Jazz: A New Jazz Aesthetic. Rutgers University Newark
    Master thesis
  • Ainsworth, Sean; Howland, John. (2011) An Exploration into the Influence and Innovations of Edward Van Halen. Rutgers University Newark
    Master thesis
  • Ariff, Alexander; Howland, John. (2013) Jazz and Poetry: Recorded Collaborations, 1957-1959. Rutgers University Newark
    Master thesis
  • Negley, Jarrod; Howland, John. (2010) Sweet and Brutal: The Life and Music of Sonny Sharrock. Rutgers University Newark
    Master thesis
  • Jordbrekk, Anders; Howland, John. (2016) The Influence of the Past - A Study of Retromania and Technostalgia in Contemporary Popular Music. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Opedal, Åsmund Hjorthol; Howland, John. (2016) Motorpsycho på museum - Ein studie av Rockheim som formidlar av populærmusikkens historie. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Schanke, Janne Kristin; Howland, John. (2016) Den autentiske sangeren - Sangere er lyttere i en undersøkelse av det autentiske vokaluttrykket i populærmusikk. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Howland, John. (1994) Hugo Wolf’s Wilhelm Meister Lieder as Fin-de-siècle Music Drama. Boston University
    Master thesis
  • Krokan, Eva Lise Haaland; Howland, John. (2015) Sangeren i vokalensemblet - Om musikalske og sosiale dimensjoner i sangerkollektivet. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Howland, John. (2002) Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920-1944. Stanford University Press
    Doctoral thesis
  • Hammer, Håkon; Howland, John. (2015) Musikk i butikk - En studie av hvordan «bakgrunnsmusikk» brukes i klesbutikk. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Rånes, Brian Christer Nebb; Howland, John. (2014) Chocolate, Mustard and a Fox - Norwegian K-Pop, Its Production and Performance. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Goldberg, Corey; Howland, John. (2006) Raymond Scott: Rediscovering the Forgotten Wit of Jazz. Rutgers University Newark
    Master thesis
  • Størvold, Tore; Howland, John. (2016) Beats, Strings and Volcanic Things Cross-Genre Musical Practices in the Independent Music Scene in Reykjavík, Iceland. Norges teknisk-naturvitenskapelige universitet
    Master thesis
  • Dunkel, Mario; Howland, John; Gruenzweig, Walter. (2014) The Stories of Jazz: Performing America Through Its Musical History. Technische Universität Dortmund
    Doctoral thesis

Teaching

Courses

  • MUSV3153 - Popular Music and Technology
  • MUSV2033 - Bachelor Thesis in Musicology
  • MUSV1031 - Historical Perspectives on Music, Culture and Society
  • MUSV3110 - Soul of a Nation: Black American Popular Music, from R&B to Hip Hop
  • MUSV3122 - Jazz Studies
  • MUSV1102 - Film Music
  • MUSV3006 - Master's Thesis in Musicology
  • MUSV3004 - Musicology: Methods, Theories, Ethics
  • MUSV6007 - Popular Music and Technology
  • MUSV3115 - Music and Culture in 1970s New York
  • MUSV1103 - Popular Music

Outreach

2022

  • Lecture
    Howland, John; Dubowsky, Jack. (2022) Music for Middlebrows: Jack Dubowsky, 'Easy Listening and Film Scoring 1948-1978' (Routledge); John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music' (University of California Press). Popular Music Books in Process Series, Fall 2021-Winter 2022
  • Lecture
    Howland, John Louis. (2022) Book launch presentation: John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music'. Book launch presentation
  • Conference lecture
    Howland, John Louis. (2022) Paul Whiteman and Modern Metropolitan Impressions, 1927–1940. PAUL WHITEMAN IN AMERICAN MUSIC: A Symposium at Williams College Bernhard Music Center August 27, 2022
  • Conference lecture
    Howland, John Louis. (2022) Nobrow in the New Millennium?: The Postminimalist Affinities of New York's Indie Rock and Indie Classical Communities in the 2000s. Classical Music in Contemporary Media and Society
  • Lecture
    Howland, John Louis; Hammill, Faye; Guthrie, Kate. (2022) Conversations on Art and Life: Music and the Middlebrow. Book launch discussion

2021

  • Interview
    Howland, John. (2021) Campaign for the American Reader, Pg. 99 Blog: John Howland's "Hearing Luxe Pop".
  • Lecture
    Howland, John. (2021) Soundmania! Popular Music and Technology in the 1950s and 1960s. Soundmania! Popular Music and Technology in the 1950s and 1960s
  • Conference lecture
    Howland, John. (2021) Book Presentation: 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music". Book release presentation
  • Interview
    Howland, John. (2021) Music Journalism Insider: John Howland Interview (Hearing Luxe Pop: Glorification, Glamour and the Middlebrow in American Popular Music).

2019

  • Lecture
    Howland, John. (2019) Hollywood ‘Songs for Swingin’ Lovers: Frank Sinatra’s Hi-Fi Music for Playboys, Modern Romance and Martinis. public research talk at the archive

2017

  • Conference lecture
    Howland, John. (2017) Phil Spector and the ‘Fabulous’ Ronettes: Early 1960s ‘Teenage Symphonies’ and the American Lower Middlebrow. Music and the Middlebrow

2015

  • Conference lecture
    Howland, John. (2015) Between Jazz and Soul in the 1960s and 1970s. Colloquia series of the Department of Music
  • Conference lecture
    Howland, John. (2015) Isaac Hayes and the Intersections of Jazz and Soul in the Early 1970s. Invited guest lecture

2014

  • Conference lecture
    Howland, John. (2014) “Teenage Symphonies: The Production Process of Phil Spector and Jack Nitzsche, and the (Orchestral) Sound of Young America in the Early 1960s”. Art of Record Production Conference: Record Production in the Internet Age

2013

  • Conference lecture
    Howland, John. (2013) "Hot Buttered Soul" and Billboard Jazz: The Curious Case of Isaac Hayes and the Intersections of Jazz and Soul, 1969-1973. Rhythm Changes II: Rethinking Jazz Cultures

2011

  • Conference lecture
    Howland, John. (2011) Nobrow Pop in the New Millennium?: Sufjan Stevens, Nico Muhly, and Post-2000 Chamber Pop. American Musicological Society, annual meeting
  • Conference lecture
    Howland, John. (2011) On Background Bling and the Luxe Pop Legacy: A Long View on Jay- Z, Kanye West, and the Hustler Symphony Orchestra. Cash Rules Everything Around Me: Music and Money

2010

  • Interview
    Howland, John. (2010) “Portraits of Harlem” episode for the syndicated National Public Radio program "City Lights," WFIU Public Radio, Indiana.
  • Interview
    Howland, John. (2010) “Arcade Fire enflamme Winnepeg”.
  • Conference lecture
    Howland, John. (2010) Jazz and Film: The Syncopated City and Craftsmanship. Faculty Research Speakers' Series of the John Cotton Dana Library, Rutgers University
  • Lecture
    Howland, John. (2010) Keynote lecture: Jazz Artists in the Concert Hall. Oakland East Bay Symphony Forum
  • Conference lecture
    Howland, John. (2010) On Background Bling and the Luxe Pop Legacy: A Long View on Jay-Z, Kanye West, and the Hustler Symphony Orchestra. University of Virginia, McIntire Dept. of Music’s Colloquium series

2009

  • Interview
    Howland, John. (2009) Interviewed for the “Eric in the Evening” show, hosted by Eric Jackson, on WGBH, Boston.
  • Conference lecture
    Howland, John. (2009) Luxe Pop in the (Symphonic) Jazz Age. School of Music Musicology Colloquium, University of Maryland College Park
  • Interview
    Howland, John. (2009) Interviewed for “Book Report,” hosted by Randy O’Brien, on WMOT.
  • Conference lecture
    Howland, John. (2009) Luxe Pop: The Six Degrees of Separation from Jay-Z to Symphonic Jazz. American Musicological Society annual meeting
  • Conference lecture
    Howland, John. (2009) Keynote: The Symphonic Ellington and "A Tone Parallel to Harlem.". Echoes of Ellington: A Conference on the Music and Life of Duke Ellington
  • Conference lecture
    Howland, John. (2009) Luxe Pop: The Six Degrees of Separation from Jay-Z to Symphonic Jazz. Middlebrow Cultures
  • Conference lecture
    Howland, John. (2009) Jay-Z, the Hustler Symphony Orchestra, and the Legacy of Luxe Pop. Invited lecture

2008

  • Conference lecture
    Howland, John. (2008) With Strings: Orchestral Pop and Glorified Entertainment. Invited lecture
  • Conference lecture
    Howland, John. (2008) With Strings: Orchestral Pop and Glorified Entertainment. Invited lecture
  • Conference lecture
    Howland, John. (2008) Populuxe: The Birth of Glorified Pop in the (Symphonic) Jazz Age. Invited lecture at the Institute for Studies in American Music

2007

  • Conference lecture
    Howland, John. (2007) The Sound and Image of “Traditional Pop.”. Invited lecture
  • Conference lecture
    Howland, John. (2007) Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era. Invited lecture
  • Conference lecture
    Howland, John. (2007) Symphonic Swing. Invited lecture
  • Conference lecture
    Howland, John. (2007) “‘Negro Nuances’: Harlem Entertainment and ‘Glorified’ Popular Music in the 1920s". Society for American Music annual conference
  • Conference lecture
    Howland, John. (2007) 'The Melting Pot of Music’: Glorified ‘Jazz’ in American Entertainments of the Interwar Era. “De-Canonizing Music History,” International Symposium for Histories of Popular Music, Jazz, and Folk Music

2006

  • Conference lecture
    Howland, John. (2006) Between Jazz and the Great American Songbook. Musicology Department Colloquium Series, Indiana University

2005

  • Conference lecture
    Howland, John. (2005) Duke Ellington and the Idea of Symphonic Jazz. Invited lecture
  • Contribution to radio or TV
    Howland, John. (2005) "The Funniest Man: The Wit and Music of Bert Williams," radio documentary, directed by Elizabeth McNamee and funded by the National Endowment for the Humanities and the Society for American Music.
  • Conference lecture
    Howland, John. (2005) “Hollywood ‘Songs for Swingin’ Lovers’”. Society for American Music annual conference
  • Conference lecture
    Howland, John. (2005) “Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era”. Leeds International Jazz Conference
  • Conference lecture
    Howland, John. (2005) “Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era”. Greater New York Chapter meeting of the American Musicological Society
  • Conference lecture
    Howland, John. (2005) “‘Jazz’ with Strings”. American Musicological Society annual meeting

2004

  • Conference lecture
    Howland, John. (2004) Jazz Rhapsodies in Black and White: The Cultural Nexus of James P. Johnson’s “Yamekraw: A Negro Rhapsody.”. Jazz Research Round Table, Institute of Jazz Studies
  • Conference lecture
    Howland, John. (2004) “The Capitol Jazz Aesthetic”. American Studies Association annual meeting: Crossroads of Cultures
  • Conference lecture
    Howland, John. (2004) Orchestral Jazz Arranging and American Popular Music in the 1950s. 14th Nordic Musicological Congress
  • Conference lecture
    Howland, John. (2004) “‘Gershwinesque’ Paraphrases in Classical Hollywood Film”. Reviewing the Canon: Borrowed Music in Film

2003

  • Conference lecture
    Howland, John. (2003) “The Whitemanesque Roots of Ellingtonian Extended Jazz Composition”. International Association for Jazz Education annual meeting

2002

  • Conference lecture
    Howland, John. (2002) The Roots of Ellingtonian Jazz Composition and Extended Form. Invited lecture
  • Conference lecture
    Howland, John. (2002) The Roots of Ellingtonian Jazz Composition and Extended Form. Invited lecture

2001

  • Conference lecture
    Howland, John. (2001) The Melting Pot of Music: “Glorifying” the American Popular Song, and the Aesthetics of Whitemanesque Symphonic Jazz in 1920s Entertainment. Invited lecture

2000

  • Conference lecture
    Howland, John. (2000) “Between the Muses and the Masses: Jazz Rhapsodies and the Emergence of Middlebrow Culture”. American Musicological Society annual meeting

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