John Howland
About
Competencies
Publications
2022
-
Howland, John Louis.
(2022)
'Let the Music Play' (1975): Hearing the Disco Mainstream in Barry White.
Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks (1st ed.).
Academic chapter/article
2021
-
Howland, John.
(2021)
Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music.
University of California Press. 2021. ISBN 9780520300118.
Scientific monography
-
Howland, John.
(2021)
Populuxe Redux in the Glamour of Billie Eilish’s “No Time to Die”.
University of California Press Blog.
Popular scientific article
2020
-
Howland, John.
(2020)
The Classy Populuxe Songbook.
Journal of the American Musicological Society.
volum 73 (2).
Academic article
2019
-
Howland, John.
(2019)
Frank Sinatra, Nelson Riddle, and "Pal Joey".
Introductory lecture to a film presentation
[Kunstnerisk og museal presentasjon] . Cinemateket / NTNU kunnskaps festival; Trondheim. 2019-06-18 - 2019-06-18.
Other
2018
-
Howland, John.
(2018)
Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.
The Relentless Pursuit of Tone: Timbre in Popular Music.
Academic chapter/article
-
Howland, John.
(2018)
On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973.
The Routledge Companion to Jazz Studies.
Academic chapter/article
2017
-
Howland, John.
(2017)
Duke Ellington Studies.
Cambridge University Press. 2017. ISBN 9780521764049.
Scientific anthology
-
Howland, John.
(2017)
Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer.
Duke Ellington Studies.
Academic chapter/article
-
Howland, John.
(2017)
Preface.
Duke Ellington Studies.
Foreword
2016
-
Howland, John;
Wriggle, John.
(2016)
Edward Kennedy "Duke" Ellington.
Oxford Bibliographies in Music.
publications.POPVIT_KAPITTEL
2014
-
Howland, John.
(2014)
Artful Entertainment: Ellington's Formative Years in Context.
The Cambridge Companion to Duke Ellington.
Academic chapter/article
-
Howland, John.
(2014)
"Reflections on Contemporary Ellingtonia," invited contribution to Musicology Now, the official blog of the American Musicologyca Society.
Musicology Now (the official blog of the American Musicological Society).
Popular scientific article
2013
-
Howland, John.
(2013)
Ellingtonia, Historically Speaking.
The Musical Quarterly.
Editorial
2012
-
Howland, John.
(2012)
Cool Jazz.
Continuum Encyclopedia of Popular Music of the World, Volume 8, Genres: North America.
Lexical introduction
-
Howland, John.
(2012)
“‘Jazz’ with Strings: Between Jazz and the Great American Songbook.”.
Jazz/Not Jazz: The Music and Its Boundaries.
Academic chapter/article
-
Howland, John.
(2012)
Third Stream.
Continuum Encyclopedia of Popular Music of the World, Volume 8, Genres: North America.
Lexical introduction
-
Howland, John.
(2012)
West Coast Jazz.
Continuum Encyclopedia of Popular Music of the World, Volume 8, Genres: North America.
Lexical introduction
2010
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives.
volum 4 (3).
Editorial
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives.
volum 4 (2).
Editorial
2009
-
Howland, John.
(2009)
Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz.
University of Michigan Press. 2009. ISBN 0-472- 03316-6.
Scientific monography
-
Howland, John.
(2009)
Ellingtonian Extended Composition and the Symphonic Jazz Model.
Annual Review of Jazz Studies.
volum 14.
Academic article
-
Howland, John.
(2009)
Letter from the Editor.
Jazz Perspectives.
volum 3 (1).
Editorial
2008
-
Howland, John;
Porter, Lewis.
(2008)
Letter from the Editors.
Jazz Perspectives.
volum 2 (2).
Editorial
2007
-
Howland, John.
(2007)
"The Blues Get Glorified": Harlem Entertainment, "Negro Nuances," and Black Symphonic Jazz.
The Musical Quarterly.
volum 90.
Academic article
-
Howland, John;
Porter, Lewis.
(2007)
From "Perspectives in Jazz" to "Jazz Perspectives".
Jazz Perspectives.
volum 1.
Editorial
-
Howland, John;
Porter, Lewis.
(2007)
Letter from the Editors.
Jazz Perspectives.
volum 1 (2).
Editorial
2006
-
Howland, John.
(2006)
Jazz Rhapsodies in Black and White: James P. Johnson’s "Yamekraw".
American Music.
volum 24.
Academic article
2003
-
Howland, John.
(2003)
The Whitemanesque Roots of Early Ellingtonian Extended Jazz Composition.
2003. ISBN 0000000000000. Jazz Research Proceedings Yearbook (2003).
Scientific anthology
2002
-
Howland, John.
(2002)
Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920-1944.
Stanford University Press. 2002.
PhD thesis
1994
-
Howland, John.
(1994)
Hugo Wolf’s Wilhelm Meister Lieder as Fin-de-siècle Music Drama.
1994.
Master thesis
Scientific articles
-
Howland, John.
(2020)
The Classy Populuxe Songbook.
Journal of the American Musicological Society.
volum 73 (2).
Academic article
-
Howland, John.
(2009)
Ellingtonian Extended Composition and the Symphonic Jazz Model.
Annual Review of Jazz Studies.
volum 14.
Academic article
-
Howland, John.
(2007)
"The Blues Get Glorified": Harlem Entertainment, "Negro Nuances," and Black Symphonic Jazz.
The Musical Quarterly.
volum 90.
Academic article
-
Howland, John.
(2006)
Jazz Rhapsodies in Black and White: James P. Johnson’s "Yamekraw".
American Music.
volum 24.
Academic article
Journal publications
-
Howland, John.
(2021)
Populuxe Redux in the Glamour of Billie Eilish’s “No Time to Die”.
University of California Press Blog.
Popular scientific article
-
Howland, John.
(2014)
"Reflections on Contemporary Ellingtonia," invited contribution to Musicology Now, the official blog of the American Musicologyca Society.
Musicology Now (the official blog of the American Musicological Society).
Popular scientific article
-
Howland, John.
(2013)
Ellingtonia, Historically Speaking.
The Musical Quarterly.
Editorial
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives.
volum 4 (3).
Editorial
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives.
volum 4 (2).
Editorial
-
Howland, John.
(2009)
Letter from the Editor.
Jazz Perspectives.
volum 3 (1).
Editorial
-
Howland, John;
Porter, Lewis.
(2008)
Letter from the Editors.
Jazz Perspectives.
volum 2 (2).
Editorial
-
Howland, John;
Porter, Lewis.
(2007)
From "Perspectives in Jazz" to "Jazz Perspectives".
Jazz Perspectives.
volum 1.
Editorial
-
Howland, John;
Porter, Lewis.
(2007)
Letter from the Editors.
Jazz Perspectives.
volum 1 (2).
Editorial
Books
-
Howland, John.
(2021)
Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music.
University of California Press. 2021. ISBN 9780520300118.
Scientific monography
-
Howland, John.
(2017)
Duke Ellington Studies.
Cambridge University Press. 2017. ISBN 9780521764049.
Scientific anthology
-
Howland, John.
(2009)
Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz.
University of Michigan Press. 2009. ISBN 0-472- 03316-6.
Scientific monography
-
Howland, John.
(2003)
The Whitemanesque Roots of Early Ellingtonian Extended Jazz Composition.
2003. ISBN 0000000000000. Jazz Research Proceedings Yearbook (2003).
Scientific anthology
Part of book/report
-
Howland, John Louis.
(2022)
'Let the Music Play' (1975): Hearing the Disco Mainstream in Barry White.
Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks (1st ed.).
Academic chapter/article
-
Howland, John.
(2018)
Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.
The Relentless Pursuit of Tone: Timbre in Popular Music.
Academic chapter/article
-
Howland, John.
(2018)
On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973.
The Routledge Companion to Jazz Studies.
Academic chapter/article
-
Howland, John.
(2017)
Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer.
Duke Ellington Studies.
Academic chapter/article
-
Howland, John.
(2017)
Preface.
Duke Ellington Studies.
Foreword
-
Howland, John;
Wriggle, John.
(2016)
Edward Kennedy "Duke" Ellington.
Oxford Bibliographies in Music.
publications.POPVIT_KAPITTEL
-
Howland, John.
(2014)
Artful Entertainment: Ellington's Formative Years in Context.
The Cambridge Companion to Duke Ellington.
Academic chapter/article
-
Howland, John.
(2012)
Cool Jazz.
Continuum Encyclopedia of Popular Music of the World, Volume 8, Genres: North America.
Lexical introduction
-
Howland, John.
(2012)
“‘Jazz’ with Strings: Between Jazz and the Great American Songbook.”.
Jazz/Not Jazz: The Music and Its Boundaries.
Academic chapter/article
-
Howland, John.
(2012)
Third Stream.
Continuum Encyclopedia of Popular Music of the World, Volume 8, Genres: North America.
Lexical introduction
-
Howland, John.
(2012)
West Coast Jazz.
Continuum Encyclopedia of Popular Music of the World, Volume 8, Genres: North America.
Lexical introduction
Report
-
Howland, John.
(2002)
Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920-1944.
Stanford University Press. 2002.
PhD thesis
-
Howland, John.
(1994)
Hugo Wolf’s Wilhelm Meister Lieder as Fin-de-siècle Music Drama.
1994.
Master thesis
Teaching
Courses
- MUSV3110 - Soul of a Nation: Black American Popular Music, from R&B to Hip Hop
- MUSV3006 - Master's Thesis in Musicology
- MUSV1102 - Film Music
- MUSV3600 - Self Study - Compensatory Course for Experts in Teamwork
- MUSV3105 - Popular Music Studies
- MUSV3004 - Music Studies: Disciplines, Approaches, and Perspectives
- MUSV3115 - Music and Culture in 1970s New York
- MUSV1103 - Popular Music
Media
2022
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Popular scientific lectureHowland, John Louis. (2022) Book launch presentation: John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music'. Book launch presentation . Rockheim Museum; Trondheim. 2022-02-09 - 2022-02-09.
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Academic lectureHowland, John Louis. (2022) Nobrow in the New Millennium?: The Postminimalist Affinities of New York's Indie Rock and Indie Classical Communities in the 2000s. Classical Music in Contemporary Media and Society . Göteborgs universitet; Göteborg. 2022-02-13 - 2022-02-15.
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Academic lectureHowland, John Louis. (2022) Paul Whiteman and Modern Metropolitan Impressions, 1927–1940. PAUL WHITEMAN IN AMERICAN MUSIC: A Symposium at Williams College Bernhard Music Center August 27, 2022 . Williams College; Williamstown, MA. 2022-08-27 - 2022-08-27.
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Popular scientific lectureHowland, John Louis; Hammill, Faye; Guthrie, Kate. (2022) Conversations on Art and Life: Music and the Middlebrow. Book launch discussion . University of Bristol and the Middlebrow Research Network; online. 2022-03-30 - 2022-03-30.
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Popular scientific lectureHowland, John; Dubowsky, Jack. (2022) Music for Middlebrows: Jack Dubowsky, 'Easy Listening and Film Scoring 1948-1978' (Routledge); John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music' (University of California Press). Popular Music Books in Process Series, Fall 2021-Winter 2022 . International Association for the Study of Popular Music U.S; Los Angeles / online. 2022-10-08 - 2022-10-08.
2021
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Academic lectureHowland, John. (2021) Book Presentation: 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music". Book release presentation . Lund University; Lund. 2021-03-02 - 2021-03-02.
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InterviewHowland, John. (2021) Campaign for the American Reader, Pg. 99 Blog: John Howland's "Hearing Luxe Pop". http://americareads.blogspot.com/2021/06/pg-99-john-howlands [Internett]. 2021-06-22.
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InterviewHowland, John. (2021) Music Journalism Insider: John Howland Interview (Hearing Luxe Pop: Glorification, Glamour and the Middlebrow in American Popular Music). https://www.musicjournalisminsider.com/archive/john-howland- [Internett]. 2021-07-11.
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Popular scientific lectureHowland, John. (2021) Soundmania! Popular Music and Technology in the 1950s and 1960s. Soundmania! Popular Music and Technology in the 1950s and 1960s . Rockheim; Trondheim. 2021-02-18 - 2021-02-18.
2019
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Popular scientific lectureHowland, John. (2019) Hollywood ‘Songs for Swingin’ Lovers: Frank Sinatra’s Hi-Fi Music for Playboys, Modern Romance and Martinis. public research talk at the archive . Musikverket; Stockholm. 2019-12-02 - 2019-12-02.
2017
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Academic lectureHowland, John. (2017) Phil Spector and the ‘Fabulous’ Ronettes: Early 1960s ‘Teenage Symphonies’ and the American Lower Middlebrow. Music and the Middlebrow . University of Notre Dame; London. 2017-06-22 - 2017-06-24.
2015
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Academic lectureHowland, John. (2015) Between Jazz and Soul in the 1960s and 1970s. Colloquia series of the Department of Music . Department of Music, Case Western Reserve University; Cleveland, OH. 2015-12-04 - 2015-12-04.
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Academic lectureHowland, John. (2015) Isaac Hayes and the Intersections of Jazz and Soul in the Early 1970s. Invited guest lecture . Case Western Reserve University, Musicology Department; Case Western Reserve University, Cleveland. 2015-12-04 - 2015-12-04.
2014
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Academic lectureHowland, John. (2014) “Teenage Symphonies: The Production Process of Phil Spector and Jack Nitzsche, and the (Orchestral) Sound of Young America in the Early 1960s”. Art of Record Production Conference: Record Production in the Internet Age . Association for the Study of the Art of Record Production; Oslo. 2014-12-04 - 2014-12-06.
2013
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Academic lectureHowland, John. (2013) "Hot Buttered Soul" and Billboard Jazz: The Curious Case of Isaac Hayes and the Intersections of Jazz and Soul, 1969-1973. Rhythm Changes II: Rethinking Jazz Cultures ; Media City UK/University of Salford. 2013-04-11 - 2013-04-14.
2011
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Academic lectureHowland, John. (2011) Nobrow Pop in the New Millennium?: Sufjan Stevens, Nico Muhly, and Post-2000 Chamber Pop. American Musicological Society, annual meeting . American Musicological Society; San Francisco, CA. 2011-11-10 - 2011-11-13.
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Academic lectureHowland, John. (2011) On Background Bling and the Luxe Pop Legacy: A Long View on Jay- Z, Kanye West, and the Hustler Symphony Orchestra. Cash Rules Everything Around Me: Music and Money . Experience Music Project; UCLA Department of Musicology, Los Angeles, CA. 2011-02-25 - 2011-02-27.
2010
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InterviewHowland, John. (2010) “Arcade Fire enflamme Winnepeg”. La Liberté [Avis]. 2010-10-05.
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Academic lectureHowland, John. (2010) Jazz and Film: The Syncopated City and Craftsmanship. Faculty Research Speakers' Series of the John Cotton Dana Library, Rutgers University . John Cotton Dana Library, Rutgers University; Newark, NJ. 2010-04-07 - 2010-04-07.
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Popular scientific lectureHowland, John. (2010) Keynote lecture: Jazz Artists in the Concert Hall. Oakland East Bay Symphony Forum . Oakland East Bay Symphony; Oakland, CA. 2010-05-05 - 2010-05-05.
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Academic lectureHowland, John. (2010) On Background Bling and the Luxe Pop Legacy: A Long View on Jay-Z, Kanye West, and the Hustler Symphony Orchestra. University of Virginia, McIntire Dept. of Music’s Colloquium series . University of Virginia, McIntire Dept. of Music; Charlottesville, VA. 2010-12-03 - 2010-12-03.
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InterviewHowland, John. (2010) “Portraits of Harlem” episode for the syndicated National Public Radio program "City Lights," WFIU Public Radio, Indiana. Bloomington, IN [Radio]. 2010-03-01.
2009
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InterviewHowland, John. (2009) Interviewed for “Book Report,” hosted by Randy O’Brien, on WMOT. Murfreesboro, TN [Radio]. 2009-06-06.
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InterviewHowland, John. (2009) Interviewed for the “Eric in the Evening” show, hosted by Eric Jackson, on WGBH, Boston. Boston, MA [Radio]. 2009-07-28.
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Academic lectureHowland, John. (2009) Jay-Z, the Hustler Symphony Orchestra, and the Legacy of Luxe Pop. Invited lecture . Department of Music at The University of Nottingham; Nottingham, UK. 2009-06-19 - 2009-06-19.
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Academic lectureHowland, John. (2009) Keynote: The Symphonic Ellington and "A Tone Parallel to Harlem.". Echoes of Ellington: A Conference on the Music and Life of Duke Ellington . University of Texas at Austin, Butler School of Music; University of Texas at Austin, Butler School of Music. 2009-04-15 - 2009-04-17.
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Academic lectureHowland, John. (2009) Luxe Pop in the (Symphonic) Jazz Age. School of Music Musicology Colloquium, University of Maryland College Park . School of Music’, University of Maryland; College Park, MD. 2009-04-05 - 2009-04-05.
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Academic lectureHowland, John. (2009) Luxe Pop: The Six Degrees of Separation from Jay-Z to Symphonic Jazz. Middlebrow Cultures . Middlebrow Network; University of Strathclyde, Glasgow; Scotland. 2009-07-14 - 2009-07-15.
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Academic lectureHowland, John. (2009) Luxe Pop: The Six Degrees of Separation from Jay-Z to Symphonic Jazz. American Musicological Society annual meeting . American Musicological Society; Philadelphia, PA. 2009-11-12 - 2009-11-15.
2008
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Academic lectureHowland, John. (2008) Populuxe: The Birth of Glorified Pop in the (Symphonic) Jazz Age. Invited lecture at the Institute for Studies in American Music . Conservatory of Music, Brooklyn College, CUNY; Brooklyn, NY. 2008-02-05 - 2008-02-05.
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Academic lectureHowland, John. (2008) With Strings: Orchestral Pop and Glorified Entertainment. Invited lecture . Music Division of Southampton University; Southampton University; Southampton. 2008-06-02 - 2008-06-02.
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Academic lectureHowland, John. (2008) With Strings: Orchestral Pop and Glorified Entertainment. Invited lecture . Department of Music, Goldsmiths University; Department of Music, Goldsmiths University, London, UK. 2008-06-24 - 2008-06-24.
2007
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Academic lectureHowland, John. (2007) “‘Negro Nuances’: Harlem Entertainment and ‘Glorified’ Popular Music in the 1920s". Society for American Music annual conference . Society for American Music; Pittsburgh, PA. 2007-02-28 - 2007-03-04.
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Academic lectureHowland, John. (2007) Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era. Invited lecture . School of Music, Cardiff University; Cardiff University, Cardiff, Wales. 2007-04-03 - 2007-04-03.
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Academic lectureHowland, John. (2007) Symphonic Swing. Invited lecture . Newcomb Department of Music of Tulane University; Tulane University, New Orleans, LA. 2007-04-26 - 2007-04-26.
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Academic lectureHowland, John. (2007) 'The Melting Pot of Music’: Glorified ‘Jazz’ in American Entertainments of the Interwar Era. “De-Canonizing Music History,” International Symposium for Histories of Popular Music, Jazz, and Folk Music . Sibelius Academy; Helsinki, Finland. 2007-11-29 - 2007-12-01.
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Academic lectureHowland, John. (2007) The Sound and Image of “Traditional Pop.”. Invited lecture . Musicology Prog, Dept for Media and Culture, Utrecht U.; Utrecht University, Utrecht. 2007-10-24 - 2007-10-24.
2006
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Academic lectureHowland, John. (2006) Between Jazz and the Great American Songbook. Musicology Department Colloquium Series, Indiana University . Musicology Department, Indiana University; Indiana University, Bloomington, IN. 2006-01-27 - 2006-01-27.
2005
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Academic lectureHowland, John. (2005) Duke Ellington and the Idea of Symphonic Jazz. Invited lecture . Music Department, Westminster College of Rider University; Princeton, NJ. 2005-10-03 - 2005-10-03.
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Academic lectureHowland, John. (2005) “Hollywood ‘Songs for Swingin’ Lovers’”. Society for American Music annual conference . Society for American Music; University of Oregon, Eugene, OR. 2005-02-16 - 2005-02-20.
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Academic lectureHowland, John. (2005) “‘Jazz’ with Strings”. American Musicological Society annual meeting . American Musicological Society; Washington, D.C.. 2005-10-27 - 2005-10-30.
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Academic lectureHowland, John. (2005) “Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era”. Leeds International Jazz Conference . Leeds College of Music; Leeds, UK. 2005-03-11 - 2005-03-12.
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Academic lectureHowland, John. (2005) “Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era”. Greater New York Chapter meeting of the American Musicological Society . Greater New York Chapter of the American Musicological Socie; Manhattan, New York. 2005-04-06 - 2005-04-06.
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Programme participationHowland, John. (2005) "The Funniest Man: The Wit and Music of Bert Williams," radio documentary, directed by Elizabeth McNamee and funded by the National Endowment for the Humanities and the Society for American Music. New York [Radio]. 2005-01-01.
2004
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Academic lectureHowland, John. (2004) “‘Gershwinesque’ Paraphrases in Classical Hollywood Film”. Reviewing the Canon: Borrowed Music in Film . Stanford University; Stanford University, Stanford, CA. 2004-05-01 - 2004-05-04.
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Academic lectureHowland, John. (2004) Jazz Rhapsodies in Black and White: The Cultural Nexus of James P. Johnson’s “Yamekraw: A Negro Rhapsody.”. Jazz Research Round Table, Institute of Jazz Studies . Institute of Jazz Studies; Rutgers University, Newark, NJ. 2004-09-15 - 2004-09-15.
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Academic lectureHowland, John. (2004) Orchestral Jazz Arranging and American Popular Music in the 1950s. 14th Nordic Musicological Congress . Nordic Musicological Congress; Sibelius Academy, Helsinki, Finland. 2004-08-11 - 2004-08-14.
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Academic lectureHowland, John. (2004) “The Capitol Jazz Aesthetic”. American Studies Association annual meeting: Crossroads of Cultures . American Studies Association; Atlanta, GA. 2004-11-11 - 2004-11-14.
2003
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Academic lectureHowland, John. (2003) “The Whitemanesque Roots of Ellingtonian Extended Jazz Composition”. International Association for Jazz Education annual meeting . International Association for Jazz Education; Toronto. 2003-01-09 - 2003-01-12.
2002
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Academic lectureHowland, John. (2002) The Roots of Ellingtonian Jazz Composition and Extended Form. Invited lecture . Music Department, Washington University; Washington University, St. Louis, MO. 2002-03-15 - 2002-03-15.
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Academic lectureHowland, John. (2002) The Roots of Ellingtonian Jazz Composition and Extended Form. Invited lecture . Music Department, University of California at Davis; University of California at Davis, Davis, CA. 2002-02-05 - 2002-02-05.
2001
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Academic lectureHowland, John. (2001) The Melting Pot of Music: “Glorifying” the American Popular Song, and the Aesthetics of Whitemanesque Symphonic Jazz in 1920s Entertainment. Invited lecture . Dept of Cultural Sciences, Musicology, Gothenburg Universit; Gothenburg, Sweden. 2001-04-20 - 2001-04-20.
2000
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Academic lectureHowland, John. (2000) “Between the Muses and the Masses: Jazz Rhapsodies and the Emergence of Middlebrow Culture”. American Musicological Society annual meeting . American Musicological Society; Toronto. 2000-11-01 - 2000-11-05.