Course - Pop analysis – Techniques of harmony and analysis in popular music - MUSV3128
MUSV3128 - Pop analysis – Techniques of harmony and analysis in popular music
About
Examination arrangement
Examination arrangement: Portfolio
Grade: Letter grades
| Evaluation | Weighting | Duration | Grade deviation | Examination aids |
|---|---|---|---|---|
| Portfolio | 100/100 |
Course content
The year is 1965 and George Martin suggests to The Beatles that they use a string quartet on «Yesterday». This is one of the first times strings are used in this way in a pop song. In the world of jazz, with Frank Sinatra and Nat King Cole, this has been done before. But to place classical musicians into a pop arrangement is new. Today this is common practice.
How do you facilitate the meeting between musicians who rely on notation and musicians who play by ear? Have classical forms of notation any practical purpose in this arena of machines and electric instruments? Can traditional rules of tonal harmony be useful? Does ‘cross-over’ have a value in itself, or is the combination of pop and classical musicians an impossible construction?
These are the questions we ask in this course. We will study examples from jazz, pop, and cross-over. We will analyze successful arrangements and compositions for various ensembles: strings, big band, and symphony orchestra. We will also analyze harmonic and sonic qualities in pop songs.
Learning outcome
Knowledge:
A candidate with completed qualification in MUSV3128
- Has increased overview of the various ways orchestras is used in popular music, now and in the past, both stylistically and in different instrumentations and genres.
- Has increased understanding of how classical musicians are used in popular music contexts.
- Has increased knowledge of the function of song arrangements.
- Has increased knowledge of how one can use music theory in ear-based music contexts.
Skills:
A candidate with completed qualification in MUSV3128
- Can formulate her/his knowledge in a convincing way in both written and oral forms.
- Can analyze examples of popular music from different genres and historical eras for their harmonic, formal, and arranging properties.
Learning methods and activities
Lectures and seminars.
Compulsory assignments
- Satisfactory participation in compulsory instruction
- Assignments in analysis, listening, and reading
Further on evaluation
Portfolio containing analyses, texts, and the students own solutions to various song arrangements.
If the course is not passed, the student must retake the whole assessment. If the candidate retakes the exam, there is no need to retake the compulsory assignments.
Specific conditions
Admission to a programme of study is required:
Creative Music Technology (MMUST)
Music Performance (MMUSP)
Music Performance Studies (BMUSP)
Music Performance Studies - Jazz (BMUSK)
Music Technology (BMUST)
Musicology (BMUSV)
Musicology (MMUSV)
No
Version: 1
Credits:
7.5 SP
Study level: Second degree level
Term no.: 1
Teaching semester: AUTUMN 2023
Language of instruction: Norwegian
Location: Trondheim
- Music Theory
- Musicology
Examination
Examination arrangement: Portfolio
- Term Status code Evaluation Weighting Examination aids Date Time Examination system Room *
-
Autumn
ORD
Portfolio
100/100
Release
2023-12-04Submission
2023-12-11
12:00
INSPERA
12:00 -
Room Building Number of candidates -
Spring
UTS
Portfolio
100/100
Release
2024-01-19Submission
2024-01-26
12:00
INSPERA
12:00 -
Room Building Number of candidates
- * The location (room) for a written examination is published 3 days before examination date. If more than one room is listed, you will find your room at Studentweb.
For more information regarding registration for examination and examination procedures, see "Innsida - Exams"